Showing posts with label Sociology. Show all posts
Showing posts with label Sociology. Show all posts

Thursday, February 14, 2013

Does Prison Socialize?

I came across this today, and it reminded me of the movie Shawshank Redemption, which was actually written as a novella by Stephen King originally.  The scene I am thinking of is with the older man, I don't remember is name.  He asks to use the restroom.  The employer looks at him as if he is a fool.  But, his entire adult life, that is exactly what he has done.  He doesn't know how to live without the direction of the guards.  He has been resocialized, or institutionalized.  I experienced a similar effect when I came home from Basic Training.  I missed the routine, the lack of decisions (I almost wrote choices), and the lack of responsibility.  It was like a vacation in some respects.  Anyway, it can be overwhelming to reenter life, and its complexities when you have been out of it for so long.  The following article is about a man who sought to go back to prison. 
CHICAGO (AP) — After spending most of his adult life behind bars, 73-year-old Walter Unbehaun decided to rob another bank in hopes of getting caught. He felt more comfortable in prison, court documents allege, and wanted to spend his final years there.

So the balding, gray-haired South Carolina man leaned on a cane as he walked into a bank in suburban Chicago over the weekend and used a novel stickup line: He had just six months to live, so he had nothing left to lose, according to a federal complaint citing his post-arrest interrogation.

Unbehaun also allegedly lifted his coat to show a teller a silver revolver shoved into his waistband.

Investigators say Unbehaun, of Rock Hill, S.C., walked out of the Harris Bank in Niles on Saturday with $4,178 in his pockets. He wore no disguises, so law enforcement quickly tracked him down using surveillance-camera photos of him holding up the bank, the complaint said.

When authorities stopped Unbehaun on Sunday outside a motel room where he was staying, he immediately threw down his cane and surrendered, saying he knew they were there because he robbed a bank the day before, according to the complaint filed in U.S. District Court in Chicago.

Unbehaun told investigators hours after his arrest that he had spent most of his adult life in prison and "felt more comfortable in prison than out."

"He wanted to do something that would guarantee that he would spend the rest of his life in prison, and he knew that robbing a bank with a loaded gun would accomplish that," according to the complaint, signed by FBI agent Chad Piontek.

Contacted on Tuesday, Unbehaun's defense attorney, Richard McLeese, declined comment.

Unbehaun's most recent stint behind bars ended in 2011, when he was released after serving 10 years for a 1998 bank robbery. His Illinois record alone includes multiple other felonies dating back decades.

Unbehaun made an initial court appearance Monday in Chicago and was ordered to remain in jail pending further court procedures. No additional hearing dates were set.

If he is eventually convicted on the new bank robbery charge, he could be sent to prison for up to 20 years.

http://news.yahoo.com/fbi-elderly-ex-con-robbed-bank-hopes-prison-010514734.html

Thursday, January 31, 2013

Feminism (?) (!)

       I have heard the word (feminist) or some derivation or pejorative (femi-nazi) banded about in the media or my social community for years, but really couldn't put my finger on it.  Well, as my students are working on research projects around the end of the Victorian Era (and its influences in the United States) and the heart of the Progressive Era, I came across the term in our textbook.  It dawned on my that the first wave of feminist came about with Margaret Sanger, Alice Paul, and the ladies of this era.  In my Master's level Historiography and (oddly) a Foreign Policy course a few years back, the topic turned to the different waves of feminism in American history, and their use as a lens to study the era and aspects of influence. 
      Second Wave feminism comes about during the turbulent times of change in the 1960s and after.  The push was to unite women the world over under a common agenda, and in rebellion to the 1950s conformity.  Ok, fast forward.  Third Wave feminism is, arguably of course, what we are in right now.  Some wonder if we are not entering a fourth, but I don't understand it well enough to make that call, I can only report what I hear. 
      Now, to cross streams of thought.  I am a huge fan of the singer Pink.  I prefer strong, edgy girl singers.  Oddly, I also adore Taylor Swift (its my inner Tween heart, looking for simple love).  But, when I saw her latest video this past week, the video for "Try".  Her words are always powerful, and speak to me of a batter heart.  But, when I saw the beauty of her body (well toned and sculptured), the dance she and her partner do in the video, the simplicity of the background, and then compare that to the violence they perpetrate on each others bodies.  It immediately took me back to Eminem's "Love the Way You Lie".  Pink (and Eminem) have both spoken to abuse in relationships, of hurting (physically) their partners.  Rihanna has been openly in an abusive relationship.  When Eminem raps about abuse, it is a man writing of a masculine anger in a sense that many will recognize, and fits a traditional mold.  When Pink speaks of fighting with her husband or a lover, you get the sense of an empowered woman who is strong enough to stand up for herself.  But, this video made me wonder:  Is this fourth wave feminism?  Or is this third-wave continued, played out?  When the first wave women are fighting for a declaration of marital rape, control of their own sexuality, and a voice, now what is the goal of feminism?  Pink, Katy Perry, Madonna, Lady Gaga, Rihanna, etc, seem to have taken up the gauntlet for female sexuality, but are demanding more.  It's complicated.  They want to be left alone.  They don't want to be a voice for feminism and equality in the traditional sense.  They want to be judged on their own merits.  They are open with their failures and back down to no man.  So, are they 3rd or 4th?  I don't know. . . . If it helps, compare first wavers in Iron Jawed Angelssecond wavers with  Janis Joplin in concert in 1970, and then Pink, as our latest (?) wave.  I know, I just presumed that she is third wave. . .

Monday, January 28, 2013

"Is BET Reverse Racism?"

       This is touchy and difficult question and concept.  Racism is acting on a set of beliefs that based on the concept of race.  So what is race?  That is hard to explain, and becoming more fluid.  Scholars are not sure they want to pin down the concept of race in 2013.  It is an historical concept, but seems to have outlived its usefulness.  Prejudice is common, and we all live with some form of it, regardless of were we come from.  Acting on prejudice is a problem, and so it is best to be aware of ones prejudice and work to negate actions that may be based on that prejudice. 
     When prejudice becomes mainstream and moves in to the actions of institutions (companies, governments, schools, and any organization that has authority), if prejudice becomes embedded in the practice of this institution, the effects may be devastating.  For example, women not being allowed to attempt to gain a place in combat roles in the military means that women will not advance beyond a basic level.  If one is judged without being given a straight chance to prove their abilities, they are limited incredibly. 
        With this in mind, we come back to the question of black culture celebrated in television, magazines, and other cultural sources.  Is there anything racist about BET? A television show that demonstrates black culture is seen as a threat to the hegemony of white culture.  But why?  Is it racist?  No.  By promoting only black culture, it is not committing a crime, nor is it really threatening to hold back any white actor.  Is BET an entry point for white actors hoping to make it big, duly qualified, but unable to because the producers and execs at the channel don't find the actor to be dark enough?  Not likely to happen.  A celebration of a particular culture does not negate the pride other cultures should be allowed to feel about their own.  The KKK is more than welcome to celebrate white culture and offer up scholarships for white children.  There are white ethnic holidays (St. Patrick was not black, and neither were Lincoln and Washington, or Columbus, although he did speak Spanish). 
         So, what if we had a commercial on television dominated by white people?  Would that offend anyone?  What if we had a magazine full of white people?  What if we went in to a store and all the pictures on the walls were white?  Or just a vast majority, with a black person or Asian person tossed in to even it out, so it doesn't seem like a KKK convention?  Would it surprise anyone that the KKK has a television channel?  I just looked again, and although I won't post their link directly, it doesn't take a lot to google them.  The following is from their television channel, a section for youth. 

Andrew would like to talk to kids for a few minutes each week. He is proud to be a white Christian boy in America, but he knows that because of his minority status, the odds might be stacked against his people. Kids will enjoy hearing a few comments from Andrew as he warns them of things to watch out for because he cares!

The language attempts to mimic the voice of ethnic minorities in the American past who attempted to rally together without institutional power.  Unfortunately, Andrew does have institutional power largely on his side, and the deck is not stacked against him.  He just doesn't like to share. 
      So, no, BET is not reverse racism.  Can a black person be prejudiced against whites?  Yes.  Also very likely is prejudice against a fellow black of a different shade, suprisingly.  We are more complex in our dislikes than we are credited with being.  The real question, when dealing with racism, should be who has the power to enforce their prejudice.  You don't have to like me or what I write.  As long as you are not in my classroom, you will never have to fear whether my prejudice is being used against you.  That is truly the only realm where I have the power to use my prejudice.  Lucky for those who are in my classroom, I am very aware of my prejudice, and work hard to keep it in check.  We all live with prejudice.  The key is learning to balance your feeling with your reality.  To take a deep breath, walk up to your prejudice, put your hand out, take a risk, and pull the mask of the boogey man off.  Ultimately, if we truly believe in a just God, we believe that humans by nature are good.  So, don't be so afraid of them.  Don't look for the worst in people.  Instead, until you get burned personally, treat me as a human being.  Give me a chance to disappoint you. 

"You're Amazing. . . "

Today was a good day. . . I feel worn down, tired, and a tad bit angry.  And, as I think back about my day, I try to put my finger on why. . . Too often, we believe the negative easily, and the positive we brush off.  We spoke today in Sociology about "positive" versus "negative sanctions".  We are easily swayed by negativity.  As I look back over my day, I realize how much I have to be happy about, and it boosts my spirits.  I need to do this more often.  So, here is my positive list for the day:

Got to go to First Watch friday with friends for a department meeting. 
Jerry is coming on Thursday to revamp the old kitchen, so I don't have to do it. 
70 degree weather when I get home, and the kids out running in it. 
Try the software for Air Server, and it worked as described.
Kicked butt teaching Progressivism today.
Set up a teleconference about online learning and textbooks.
Received a $14 rebate debit card in the mail.
Fixed the stroller my wife busted, and expected to be busted for good.  In seconds.
Made my kids a play bow to hunt for dinner with. 

In the words of Ice Cube, "Today was a good day".  Remember the positive when the world comes crashing down.  You are great, and you make a difference.  Thanks for reading this. 

Sunday, December 16, 2012

Life is painful.

        Reflecting on my Facebook postings, I realize things are changing. I grew up playing with toy guns that were incredibly real looking.  I grew up knowing my father served in war.  I feel I have developed empathy for gun violence, not cheering for mindless war movies.  But, I do appreciate the design and firepower of weapons.  They appeal to me.  Looking at the role of gun violence in American history, I feel a need to understand.  Why do young white men (predominately) feel the need to walk up to complete strangers and do so much damage?  I know the songs, I listen to alternative music, and teenage angst is something I remember.  I haven't been able to watch the news coverage of the shooting largely because I can't stand the thought of children that are the same age as my child will not come home.  My worlds need to be separate for my sanity, and the loss of my children would devastate me.  The classroom training for shooters versus my own children involved... that is a line I can't cross.  In this event, I refuse to try to grasp what happened.  The spin is not what I am interested in. 
        In the aftermath, this Sunday night, as the President of the United States travels to see the families, the local news broadcasts a story about an uptick in gun sales.  The line crosses my mind, and my apologies if anyone truly takes this to heart, but in my sarcastic mind, "if only those teachers/kids would have had guns."  When we see tragedy, we determine not to be a victim.  When we see pain, we turn it in to anger.  Turn the other cheek went a way a long time ago.  Our souls are tarnished, and we now embody the Punisher and Wolverine much more than Jean Grey and Captain America.  We have become the Phoenix.  Look what became of her.  Gay marriage and pornography will not destroy our culture as quickly as guns.  No, not as long as bullets are so cheap, and I have a right a civilian M-4.  Sociologically, we are all interconnected.  What is causing this phenomenon? 


Additional Note:  Survivor takes a moment for silence.  Every show has done something.  Who is this for, exactly?  And what of the others who died in the last week from gunshots?  What makes Newtown newsworthy?  The children, the number?  For me, personally, it is the age of the kids.   The proximity to my own children.  The thoughts that I don't want to have.  And, what becomes of the community in the next few weeks? When do the prayers stop? 

Wow factor.

Boy, how times have changed.  My son has a book report due this week.  No sense in waiting until the last minute to start.  Well, the book fell apart as he read it, and ended up in separate places.  When he finally buckled down to work today, he couldn't find it.  If that was me, I would have spent days looking for the book.  Instead, I taught him to use Google Books.  Putting in the name of the book (Harry Houdini) and scrolling until I recognized the cover in the images, we tracked down a digital copy of his book.  Truly, if it had been me, twenty-six years ago, I would just not have done the work if I couldn't find the book.  What a different world we live in today, and that my children will grow up in.  My son came home with outline maps of states.  I taught him to use Google Images to figure out the state, and then google "state facts" for the information the worksheet requires.  When I was a kid, we had Funk and Wagnall's encyclopedia.  I remember seeing them on sale in the super market.  Now, more knowledge than that is available to my students on their phone.  My children will grow up in a world that I can not currently envision.  My four year old is watching movies at will on my tablet.  My son is competing in a Lego's Robotics League.  I don't recognize this world.  Simply amazing.  Whatever I want to learn, I google. 

Wednesday, May 16, 2012

Images of men and women



So, what are we telling our kids?  What is important?  The clothing is "cute".  But, does it establish an understanding of what is expected?  Are there hidden messages?  What are your thoughts?

Saturday, March 3, 2012

Sociology class connection

My youngest is totally obsessing on Shrek, and so, while I sit at the computer and research the American Cancer Society's financial connections, I have one eye on the television.  And apparently, one ear.  From the movie, Mona Lisa Smile, the song that Tori Amos sings while the girls dance at the wedding reception is Patsy Cline's You Belong to Me.  That same song plays in Shrek when the big green ogre is discussing swamp rat stew with the princess.  A remade version, both times, but interesting tie in.  Tori Amos attempted to be the challenge of her day, pushing feminist ideals when the mainstream wasn't really fully behind it.  Tori Amos can be seen to inspire Lady Gaga in her music and challenging the system.  Pink followd her pattern, also, especially when you watch the video Raise Your Glass.  Compare that to the album art of Boys for Pele, and there is no denying the influence she had.  Mona Lisa Smile is a feather in the cap of multiple female actors as they showed themselves capable of making a thoughtful movie with strong female leads.  Nice review of the creation of femininity.

Tuesday, January 24, 2012

A small dissection of the Marine Corps urination scandal


http://www.foxnews.com/politics/2012/01/12/panetta-orders-probe-video-showing-marines-urinating-on-dead-taliban/

I was in no big hurry to follow up on this story, but I felt that I must deal with it at some point. This post is not to pass judgement but to look at a few issues.

1.  In the article, Fox News uses the word desecration in parentheses ("desecrating" the bodies).  From a sociological perspective, if these were American dead, and anyone was urinating on them, would we hesitate to call it a desecration? 

2.  Bad things happen in war.  Morals are not instilled in war time.  They are very often shed.  These men should be judged by a jury of peers, not the media or the public.  Unfortunately, their actions will be viewed by many, and it is not our mainstream media that will be the problem.  We can not filter what others find on the internet (where this video posted), and how it is used against us.  My fear is for future U.S. military personnel in the wake of this incident.  There are numerous examples of group actions that are not reflective of mainstream cultural norms in American history. This is not a new phenomenon, but as the author of the essay points out, "It shows how, in the present era of instant communication and YouTube, a tactical judgment blunder by a small number of troops can become a big strategic problem in a matter of a few hours."  An isolated incident is no longer an isolated incident. 

3.  The concept of the other plays perfectly here.  It would have been much more difficult to have done this to someone that resemble the Marines.  Because of the differences in language, diet and smell, culture, and appearance, this behavior was more acceptable.  The Japanese skull on the desk of the young girl writing her boyfriend in the Pacific. . .

4.  The justification is that these men had suffered losses at the hands of an enemy that did not fight fairly.  The same logic is used to defend the American soldiers at My Lai, under Lt. Calley.  Ultimately, if we seek to do terrible things, we will find a way to justify them, also. 

5.  God be with the soldiers and their families, especially.  Their careers are probably over.  And, God be with our enemies.  Some day we will all understand this war and find some type of peace. 

Monday, December 19, 2011

Men vs. Women

I sat in Chipotle for lunch today.  My dirty little secret, eating out alone.  I pulled up my meal next to a very attractive young woman in her late 20s.  Behind me were several former students.  People watching is such a hobby of mine.  Anyway, it got me thinking about the ways that women differentiate themselves.  Pulling out a notepad (which at this writing is in my car, at the store, with my wife), I wrote up two lists.  One was how a woman can set herself apart, personally, from the chin up, and without surgery, versus how a man can distinguish himself from the chin up.  There had to be guidelines to govern this, and here they are:  the differentiation must meet the standards of a regular white collar workplace.  For the students, if Miege won't allow it, it didn't go on the list.  Feel free to add anything I leave out.  So, here we go:

Ladies first:
Hair-- Long or short cuts. Up or down.
       the feathers in the hair.
       bangs or no bangs.
       ribbons, bows, bands, or bobby pins.
      layered, curled, straight, or spikey.
  earrings-- small, big, round, dangly, need I go on.  And numbers. 
  Makeup.   Enough said.
  Eyelash attachments.
  Plucked hair, shaped brows, and drawn back ins--
  highlights
  Lipstick, eyeliner, etc. 
  Hair styles will change by the day. 
 
Men:  (just the standard, not a guy going out of his way to be unique)
Hair--one solid color (does not count for grays).  Not past collar.  can be spiked or naturally curly.
         shaved head acceptable.  A hair style can be done, but it will be the same daily. 
Facial hair is iffy.  mustaches may be more acceptable, but clean shaven is much more common.
Only blue collar commonly wear hats indoors, and almost always it will be a baseball cap, but hats        are never appropriate on men inside an office workplace. 


So, with all this noted, the question is simple:  Does the variety that women are allowed in their facial grant them greater freedoms or greater stress?  Does the ability to do so many different styles and recreate themselves daily allow greater joy?  Sound off. . . What do you think?  Who has it better, men or women.  I will say that I adore my short hair, as it makes life so easy.  I haven't brushed it in years.  On women, I adore a bald woman, as her face can shine, and you don't get distracted with busy hair.  On the other hand, a woman with long hair is usually an attraction for me.  Single women, dating women, and teenage girls seem to always have hair to the collar or beyond.  Mothers and grandmothers always seem to have short hair, and possibly curled hair rather than straight.  So, is long hair sexualized?

Comics Fight Breast Cancer

Found this link while playing around during Sociology Final.  Be sure to follow the links to all the characters featured. 

http://news.yahoo.com/blogs/sideshow/comic-superheroes-perform-breast-self-exams-215352919.html

This opens up several different questions:  Who is the target demographic, because what I remember of my days at the comic book store, there weren't that many women. Is this an attempt to get women to think seriously about breast exams, or just a chance for the men who know these characters to engage in a little self indulgence?  While I appreciate the concept of women's health, the figures of female superheroes have traditionally been drawn disproportionately.  Real women cannot compare to the creations.  And, Mozambique was the location that decided to run the ads.  Wow.  I don't know enough about the culture, but to use American comic book heroes in medical ads out of Mozambique demonstrates the power of American commercialism, and cultural transfer.

Friday, December 9, 2011

Commodification of Women

So, it has been a crazy week.  Take a view at the commodization of women in different roles, just that I have come across in the past two days:

Newsweek had a cover with Angelina Jolie, with a head shot.  Decorative and artistic, but why?  She has directed a new movie, and is advertising for it.  The article is well written, and powerful, when the focus is on the movie.  But, the need to feed the story of celebrity was clearly pushed by the editor.  The author gets out of her area of expertise, and we get to hear about personal things. . . In the middle of the article is a photo shoot of her.  Legs and all.  What is the purpose of this?  In an article that deals with mass rapes, repeated rapes, genocide, starvation, and other attrocities, why is the director who is trying to personalize a story of tragedy and shed light on an often ignored event, being turned into a sexual object?  Read the article, decide for yourself if the photo shoot is in line with the story, and decide for yourself if the director is sexualized.  Why don't we see Spielberg being sexy promoting Schindler's List?

The link to the Newsweek article follows: 
http://www.thedailybeast.com/newsweek/2011/12/04/angelina-jolie-directs-a-film-about-the-bosnian-war.html

The new season of The Bachelor begins soon, apparently.  Short promo.  I tried to find a copy of it.  Couldn't find it.  But, it is  simple.  Attractive brunette, red dress, alone, post-sunset, in front of the beach.  The woman begins to break down.  The sobbing is almost surreal.  It seems more like a fake overlay, it is so over the top.  No words, no tag lines, nothing as she sits their, before the camera, sobbing.  After about 15 seconds, the title The Bachelor, rolls in.  "The new season starts soon. . . "

Sociological Images at www.thesocietypages.com ran a 1980 copy of Siskel and Ebert's long-running movie review show.  In it, they discuss the slate of new movies that embody women as victims for men's base instincts.  Rape, murder and torture are brought to women that break the mold and try to be independent.  The two critics felt this was a direct response to the feminist movement, and the threat it created to men.  They discussed how these movies were unique as they were shot from the view of the killer, not the victim. 

And, as I try to get my thoughts on keyboard, I see a commercial for a show I have watch with a tad bit of guilt, but always justify as a study for Sociology.  Wife Swap has decided they will get on the celebrity band wagon.  To be fair, they have had special episodes where as they have swapped husbands, but that is not the norm for the show.  Again, it is the wife that is replaceable.  Is it the concept that the home belongs to the man, so that you can't kick him out?  Or, possibly, is it a fear that a man being bossed around by a woman and children is too much?  What dynamics are at work here?  Can a masculine gendered male leave his home and follow another man's plan? As I write it, I can't picture it. . .

We watched the The Help last night.  It is not a comedy, the way commercials make it feel.  There are some funny parts, but especially for white culture, it is an eye opener.  It is just a bit too easy to push it away over the top, though.  It reminds me of Slaughter-House Five.  There are parts that are deniable so that you don't have to face the hard facts.  As if the director didn't want to make the viewer feel too guilty.  That is too bad.  It could have been so good. . .

Tuesday, November 29, 2011

Link following up on Power and Authority

Following up on our study of the LAPD, power, and authority, I came across this link.  This is the site I cite often in class, so no surprise.  What can you interpret from the graphs, though?  The author of the post sums it  up for you.  If one were to leave the provacative title off, and just look at the graphs, would it cause the same reaction?  Something to build on. . .


Racial Profiling link

Tuesday, August 30, 2011

Guess who's hiring. . .

Driving home from a pack meeting tonight, I flipped on the radio.  An attractive, young (early 20s), female voice came on the radio.  "I serve my country by traveling the world but I can't tell my friends and family where I am going or what I am doing."  The voice catches your ear, and then you hear an interesting job pitch.  Apparently, the CIA is hiring and they believe the best target audience for their work is listening to the radio.  Interesting.  About seven years ago, they made a lot attention by going out to college campus to recruit at job fairs at major name schools.  Now, they are aiming for the masses.  Having seen the commercials for Columbiana, it is intriguing that they chose the voice over that they did.  Who is the target audience?  And what does it say for our national secuity system when we are seeking help on broadcast radio?  What genre of music was the station?  Country.  104.3.  Interesting. 

Tuesday, August 23, 2011

ABC and the New Television Season

As I sit and home tonight, working on my teacher goals, I do it in front of the television.  Always curious about popular culture, I gave Take the Money and Run.  On it, a pair of regular folks gets $100,000 to hide for 48 hours.  If they succeed, with two detectives on their tail, they win the money.  If they detectives find the money, the cops get the money.  In this episode, it is two male domestic partners.  What makes this episode so interesting is the very real reactions of the two characters who seemingly prepared in advance for the event.  When the jail doors shut, everything changed for them.  Watching the the supposed stronger character fall to pieces  and (spoiler alert!) quit the game early, we learn a lot about te role of prison and solitary.  This ties nicely with the Stanford Prison Experiment. 

Combat Hospital is set in Afghanistan, with mixed Canadian, Australian and American military medical personnel.  The scenery is very good, the emphasis on the stresses of combat and hospital trauma.  What set Tuesday night's episode (August 23) apart was a nice discussion of the role of a woman in the world.  Two Western women spoke of the concept of wearing the burka and protecting oneself from the thoughts of men.  It povides an important opening for a discussion of gender relations and agency that is overdue.  Let's have it. .  .

Sunday, January 2, 2011

AIDS and the Black Community


Greater Than AIDS TAKE ACTION: Action is Greater Than Apathy from Greater Than on Vimeo.


I saw a commercial for "Greater Than" over the break. It caught my eye, as it seems to speak to a specific culture.  See if you can see what I saw.  The NBA version, and the Facebook videos are closer to what I saw, but I was unable to link in the Facebook.  The NBA is below. 

NBA Cares from Greater Than on Vimeo.


It is interesting to see commercials aimed at specific cultures and ethnicities in a positive manner.  McDonald's has begun to target black families.  I was unable to find the commercial.  How often do you se commercials that portray non whites in a positive, pro-family view?  Be aware of the commercials and who the target audience is while you watch them. Companies are spending LARGE amounts of money to target specific audiences, and create commercials that are as specific to groups as they can.  Then, they find a show on televisionthat fits the demographic they are targeting.  How does Facebook make money?  They gather information about you based on your interests, profile, likes, etc.  They sell that information to interested parties.  And, those companies build more targeted commercials to sell to you better.  Interesting, huh?

Sunday, October 31, 2010

Social Control and Prison




These are examples of Finnish prison cells.  How do they differ from American prison cells, and what effect does this have on recidivism?  What is the purpose of prison:  Social control or resocialization?

Saturday, August 14, 2010

My own private sociology

I watched two older men (late 40s early 50s, older than me) while I sat at McDonalds for lunch. They could be described as maybe a homosexual, liberal, artsy set (well kept hair, not a business style of hair, well kept skin, unusual jewelry including a thumb ring, tattoos)  or just very unique.  What caught my eye initially, though, was the fact that both men ordered happy meals.  They sat next to a father (older, also, possibly grandfather), with two young (under seven) children.  The men compared their toys, then handed them to the kids at the next table.  A small act of kindness in a world that often overlooks such acts.  All of this made me think, from a sociological perspective, how we try so hard to catalogue, place, and fit others into boxes that we construct in our minds. We have a need to label and understand, even if this really doesn’t help our understanding.  What box would I put them into?  I wish I had the guts to approach them and ask to take their photo.  I wish I had the guts to talk to people.  I am terrified of the phone, and stumble through small talk with people.  I am the poster child for dramaturgy (look it up in the text book).  I would love to have posted their photo and asked what stood out in this photo.  By the time I worked up some nerve to stand up (a couple with a baby carrier needed to sit down, and I was in the handicap seat), the men had finished, and were heading to their car.  They got in a truck (veers away from liberal, although it wasn’t a super duty) and the passenger (the younger looking) put out a plastic powerade bottle beneath the car, littering (obviously, not too green).  I guess that breaks the easy liberal stereotype. Boxes aren’t so easy to fill we find, or we should realize.  Soon, I hope to have the courage to document tattoos and piercings that interest me as I see them in the world.  If I find the courage. 

Monday, May 17, 2010

Men and War


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Why Men Love War

The reasons and causes—territory, ideology, WMDs—may change with the times, but our lust for it is eternal.

By Evan Thomas NEWSWEEK

Published Apr 30, 2010

From the magazine issue dated May 10, 2010

Theodore Roosevelt wanted a war, and almost any war would do. In 1886, when he was a 27-year-old gentleman rancher in the Dakota Territory, he proposed raising "some companies of horse riflemen out here in the event of trouble with Mexico." He wrote his friend Congressman Henry Cabot Lodge: "Will you telegraph me at once if war becomes inevitable?" In 1889, while agitating for military "preparedness," he wrote British diplomat Cecil Spring-Rice: "Frankly, I don't know if I should be sorry to see a bit of a spar with Germany; the burning of New York and a few other seacoast cities would be a good object lesson on the need of an adequate system of coastal defenses." Roosevelt loved hyperbole, but he was apparently serious. He wrote Spring-Rice, "While we would have to take some awful blows at first, I think in the end we would worry the Kaiser a little." A few years later, in 1894, he wrote a family friend, Bob Ferguson, that he longed for "a general national buccaneering expedition to drive the Spanish out of Cuba, the English out of Canada."

In my new book, The War Lovers, I tell this story—of Roosevelt, and of how we became involved in the Spanish-American War—as a way of understanding the ancient pull of the battlefield. I was, in part, trying to understand my own attitude on the Iraq War. As a NEWSWEEK journalist writing about that conflict (from a safe distance), I had initially been hawkish, then regretful as the costs mounted. The war may, in some muddled way, achieve some of its objectives, but it is clear that too many journalists, including me, caught at least a mild dose of war fever between 9/11 and the 2003 invasion of Iraq. I looked to the past to come to terms with those impulses.

Now we're almost a decade into "the Long War," as some call our engagement in Iraq and Afghanistan and the ongoing struggle with Islamic extremism. A kind of war weariness has set in. To most people the fighting seems far off and, in a way, easy to ignore. Not coincidentally, perhaps, a recent spate of books and movies has arrived seeking to make graphic and realistic the true experience of war, most notably the Oscar-winning film The Hurt Lockerand War, the Sebastian Junger volume of war reportage we excerpted in the previous article. These are cautionary tales that seek to make us understand and remember. They may for a time dampen the age-old atavistic lust for war, though war fever, I believe, never really goes away. It is too fundamental to the male psyche.

Roosevelt was a true war lover. Whether he was trying to compensate for his beloved father, who bought a draft substitute in the Civil War, or because, as he often wrote, he feared that the Anglo-Saxon "race" was becoming "overcivilized" and weak, Roosevelt wanted to test himself in the crucible of battle. He got his wish on July 1, 1898, charging up Kettle and San Juan hills with his Rough Riders in Cuba. ("Did I tell you that I killed a Spaniard with my own hand?" Roosevelt exclaimed in a letter to Lodge.) That seemed to satisfy his war lust, for a time. As president, TR preferred to "talk softly but carry a big stick." Still, in 1917, overweight and increasingly infirm at 58, the former president of the United States volunteered to raise a division to fight in France. (Not wanting to make Roosevelt a hero or a martyr, President Woodrow Wilson declined.)

Roosevelt was an extreme case. But how many men, over how many millennia, have wanted to know how they would do in combat? Would they be brave and fight? Or would they cringe and run? War has been, for almost all peoples and all times, the purest test of manhood. It is a thrilling addiction and a wretched curse—"a force that gives us meaning," as former New York Times war correspondent Chris Hedges has written—and the ruination of peoples and nations.

Men and (now increasingly) women fight wars for all sorts of reasons, sometimes out of nobility or at least necessity. We think of the "Good War," World War II, whose warriors are fast dying off now, honored in their passing. But before the Good War was the Great War, as it was known at the time. The outbreak of the First World War in August 1914 was greeted with something like euphoria by the young men who flocked to the colors. British schoolmates and teammates formed "Pals Battalions," and sometimes advanced on German positions while passing a soccer ball. They were slaughtered. At the Battle of the Somme in 1916, roughly 20,000 British soldiers perished in a single day.

"Every war is ironic because every war is worse than expected," wrote Paul Fussell in The Great War and Modern Memory. "The Somme affair, destined to be known as the Great F--k Up, was the largest engagement fought since the beginning of civilization." There have been larger and deadlier battles since, though, as war has become at once more modern and more primitive; the armed conflicts increasingly involved civilians, not just soldiers.

And yet, somehow, we forget. A collective amnesia afflicts young men who wish to live up to their fathers, and old men who missed war as young men. In the 1890s, not just Roosevelt but a good slice of his countrymen were possessed by a hunger for war. Oliver Wendell Holmes Jr., later perhaps the greatest of U.S. Supreme Court justices, put on his Civil War uniform and lectured young Harvard students that war was "divine," not to be missed. The U.S. president, William McKinley, who had seen the dead stacked up at Antietam as a Civil War soldier, tried to resist the rush to battle. But he was swept aside by hawks like Roosevelt and William Randolph Hearst, the newspaper publisher who would claim, with some exaggeration, that he personally caused the Spanish-American War with his sensationalist crusading.

"It was a splendid little war," John Hay, the U.S. ambassador to Britain, wrote Roosevelt in August 1898. The Americans had driven the Spanish from Cuba. But another, unexpected conflict was just starting in the Philippines, halfway around the world. The U.S. Navy had defeated a Spanish fleet at Manila Bay, and now the Americans were unintentional occupiers of a country that President McKinley said he could barely find on a map. The fighting in the Philippines dragged on for four more years and cost 4,000 men, roughly the same number we have lost so far in Iraq. There were atrocities on both sides in the long-forgotten counterinsurgency against the Filipinos, and for the first time Americans used an interrogation method called waterboarding.

My own appreciation of war, while particular to my generation, is an uncomfortably familiar history lesson in war and remembrance—or forgetting. I graduated from college in 1973, too late for Vietnam and in any case shielded by a high number in the national draft lottery. I was, like almost all my peers, opposed to the war and glad to miss it. Yet as time went on I felt increasingly uneasy about the realization that my type had been able largely to avoid the war, while less well-educated and poorer young men were drafted and killed. (In Memorial Church at Harvard, one can read the names of 234 students and faculty who died fighting in World War II, which cost 405,399 American lives, and 22 who perished in Vietnam, where 59,000 Americans died.)

For a long time, it seemed, we wanted to forget about Vietnam, to turn away from its cost and futility. But watching the movie Forrest Gump in 1994, I had a flash of recognition. The unlikely hero was Gump, unself-conscious in his Army dress uniform with combat medals at a peace rally on the Washington Mall. The villains were the scruffy antiwar protesters (Gump got the girl). It was apparent to me that the national mood was changing; Hollywood certainly could sense it. We were over Vietnam—and ready for the next war.

The Gulf War of 1991 was, curiously, not sufficiently bloody to be glorious—fought and won in less than 100 hours at the cost of fewer than 300 Americans (half of those the result of noncombat accidents). It was quickly overlooked. As the 1990s went on, there was a feeling that we hadn't finished the job of getting rid of Saddam Hussein—I know I felt it. But since 9/11, with the prolonged wars in Iraq and Afghanistan, we've now had our fill of fighting. We're back to the phase where movies and memoirs capture war's darker side. War should not be mythologized, but it should be remembered. "It is well that war is so terrible," Gen. Robert E. Lee once observed, "lest we grow too fond of it."

Find this article at http://www.newsweek.com/id/237223

© 2010

War in its modern telling

 
Videos depicting the gruesome deaths of enemy soldiers—and civilians—have taken the Internet by storm.
By Jessica Ramirez NEWSWEEK
Published Apr 30, 2010 From the magazine issue dated May 10, 2010
The video isn't quite clear. Three Iraqis stand in a field, unaware that a U.S. Apache helicopter is eyeing them from afar. Two of the men are handling what looks like a weapon, but there's no time to check. The Apache pilot gets an order: hit them. The 30mm bullets go clack-clack-clack. "Got [one]," says the pilot. "Good, hit the other one," says a voice on the radio. Clack-clack-clack. No. 2 goes down. The third man tries to hide behind a truck as bullets slam into the vehicle. After a few seconds a figure crawls into the open. "He's wounded," says the pilot. "Hit him [again]," says the voice. Clack-clack-clack. When the dust settles, the third man is dead.
Some 7,000 miles away, Nate J. sat in front of his computer, mesmerized by these images. It was 2006, and Nate, who owns a decal company, got his first taste of what soldiers and scholars call war porn. Although he's never been a soldier, Nate loves all things military. But this was better than anything he'd seen on the Military Channel. "I was just like 'Wow,' " he recalls. " 'I have to find more.' "
That was easy enough. Although the recently released footage of U.S. Apache helicopters gunning down two Reuters journalists appalled many, similar war videos are plentiful on Web sites like GotWarPorn.com and YouTube. Nate, who asked NEWSWEEK not to use his last name because he's received death threats, has uploaded more than 800 to his own channel on LiveLeak.com and other sites.
When the Afghanistan and Iraq conflicts broke out, the military officially released some of the raw combat footage now on the Internet to build a stronger bond between the home front and the battlefield. Soldiers also took their own videos or pulled them from cameras on military systems like Predator drones. But almost as soon as these images became available, civilians and soldiers alike started splicing the clips together, often adding soundtracks and spreading them across the Web. Today there are thousands of war-porn videos, and they've been viewed millions of times. Like sexual porn, they come in degrees of violence, ranging from soft-core montages of rocket-propelled grenades blowing up buildings to snuff-film-like shots of an insurgent taking a bullet to the head. And even as the U.S. begins its march toward the end of two long conflicts, these compilations continue to attract viewers. With a videogame sensibility, they fetishize—and warp—the most brutal parts of these high-tech wars.
Historically, combat images have been captured and disseminated by a handful of professionals, such as the photographers Mathew Brady during the Civil War and Robert Capa during World War II. Now the immediacy of the Internet, coupled with the spread of cheap video technology, allows anyone to document war as they see it. "There's a new order," says James Der Derian, a professor at Brown University's Watson Institute for International Studies. "Unlike the photograph, the moving image creates a feeling that it more accurately depicts what it is representing, whether it does or not."
Academics date the origins of war porn to the scandalous images from Abu Ghraib Prison, in which Iraqi prisoners were stacked on top of each other to form naked pyramids, forced to simulate sexual acts, or otherwise abused. The snapshot of Pvt. Lynndie England holding a naked prisoner by a leash became an iconic representation of the war. The acts were born of an aimless power and a pornographic sensibility, argued the French social theorist Jean Baudrillard, who defined this form of "war porn" in a 2004 essay in the French newspaper Libération.
After Abu Ghraib the floodgates burst, with U.S. soldiers even trading war porn for real porn. Chris Wilson was running a user-generated porn site when he started getting requests for sexual material from soldiers in both war zones. But when paying via credit card proved problematic, Wilson let them swap war footage for access to the site's sexual content. The first images he received were fairly tame. But as the Iraq War took a turn for the worse in late 2004, the photos and footage got bloodier and included shots of headless corpses and body parts like intestines, brains, and what appeared to be limbs. By 2005, Wilson had an estimated 30,000 U.S. military personnel as members. "It was a view of war that had never been seen," he says.
Eventually the Office of the State Attorney in Polk County, Fla., charged Wilson with 300 obscenity-related misdemeanor counts and one felony count. A Pentagon investigation into the war footage on his site led to no charges against him or military members. (The Department of Defense says it is against its policy to show "recognizable photos of wounded or captured enemy." The Marines, Air Force, and Navy haven't prosecuted anyone for such posts; the Army says it has no way to track this.) Wilson did plead no contest to five of the misdemeanor charges; he served no time, but his site was shut down. He believes that decision had more to do with the war porn than the sexual content. "If you're curious, and you're an adult, and you live in a free country, there should be no reason why you can't look at this stuff," he says. "I don't think there's any harm in it."
Critics disagree. The videos, after all, depict attacks only on enemy combatants and civilians—never American troops. (In many ways they're strikingly similar to jihadist propaganda.) Aside from providing a one-sided perspective of conflict, war porn soft-pedals the horrors of battle. "People watching it on their iPhone or on their home computer don't generally do it for the information; they do it because it's entertainment," says P. W. Singer, author of Wired for War. "That's the porn part of it. The soldiers use the word because they know there's something wrong with it."
What gets lost in the highlight reels of explosions and bodies is the moral complexity of war, says Bryant Paul, an expert on the psychological and sexual effects of media. He points to a video of American soldiers making fun of a dog eating a dead Iraqi. "The behavior may be a coping mechanism for war, because they might have to normalize what is not normal in order to survive," he says. "But the people who watch this stuff can't know that, so they can't understand the entirety of what they're seeing."
Yet these images will perpetuate a particular version of these wars, says Paul. It is a version that does not treat the enemy as human, or life as valuable. It is a version that does not recognize the pain of some of the U.S. soldiers who pull the trigger. And as realistic as these videos might seem, they do not show war for what it actually is: terrifyingly real.

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Find this article at http://www.newsweek.com/id/237182